Since I'm purging Freethought Dayton, I want to say that the argument that it's okay to be a racist and sexist because you're a misanthrope is bullshit.
In the first place, the argument that it's okay to be racist and sexist because you're vile to everyone is just using one vice to defend another. "Richard Dawkins is a terrible human being generally so it's okay that he's also a racist and sexist!" Oh, that makes it much better . . . ? I don't think so. You can be a jerk and also be a racist and sexist. Being a jerk isn't somehow a defense.
Secondly, when a rich white man attacks another rich white man it has different significance if that same rich white man attacks a poor black woman. The structure of society matters. There is considerable difference in meaning depending on the context. We all know this. Something your friends might say - "You suck at your job" - has a different significance when you boss says it. The social influence that a rich white man has is extraordinary and, to them, almost altogether invisible. Which is why sexist and racist pigdogs like Richard Dawkins say those kinds of things - he isn't even aware of significance of his status in many ways. It is also the reason why so many people defend him - they share in his status and like exercising it, too.
Anyway, that's what I think about the argument that it's okay to discriminate so long as you're also a jerk.
Where I write mostly for myself about mixed martial arts, cooking, writing, the struggles of getting published, politics, art, whatever strikes me as noteworthy.
Showing posts with label sexism. Show all posts
Showing posts with label sexism. Show all posts
Thursday, September 18, 2014
Tuesday, July 29, 2014
Richard Dawkins seems to be a sexist and racist asshole
I've never really liked Richard Dawkins. At first, my dislike was merely philosophical - I think saying there probably isn't a god is wishy-washy. The reasons he says there probably isn't a god amount to a repetition of the epistemological uncertainty into which the god of the gaps lives. Since we can't be certain of anything, we can't be certain god doesn't really exist.
Or anything else! So he should say, y'know, nothing exists, that it all is probably this and probably that - or we can live with the epistemological uncertainty and speak with conviction. God does not exist any more that teapots whirling around the sun exist.
Then, when I heard him on some show or another . . . I was overwhelmed by the sense of class. Here's a dude who is that upper crust British asshole - almost a parody. He's everything that Monty Python has ever made fun of. I just assume he has a stupid walk.
He is also a sexist asshole, to get to the thrust of this post. He tweeted, recently "Date rape is bad. Stranger rape at knifepoint is worse."
Is it? I'm not sure that getting raped by someone you know is better than being raped by a stranger, myself. And I also know that date rape often includes threats of violence. So, it was really just a stupid fucking thing to say, ignorant and nasty.
But here's the thing - why say it at all? What would prompt a guy to, out of the blue, say something like that?
In short, it's that comic upper class English-ness. He's an important rich white man. He speaks with the confidence of being master of the world. He knows his opinions are the opinions that count. So he can dismiss anyone he wants who isn't an important rich white man. Like, say, women.
(He also added, "If you think that's an endorsement of date rape, go away and learn how to think." Indeed, he is endorsing nothing, but he was definitely speaking out of turn - arrogantly, hurtfully and he was wrong, to boot. But that's something arrogant rich white men do, too - they can throw out any rationalization to make themselves feel good about the shitty thing they just did. No one has the status - and everything about Dawkins screams that he's obsessed with status, that he really, really likes being an important rich white man - to seriously gainsay him. He can dismiss them, as he did, and does. Learn to think! It is you who is clearly the problem!)
A couple years back, he told a woman who dared talk about sexism in the atheist conventions that because she wasn't being beaten up by her husband that she should shut up. He tells other people that they should think, but he often fails to do it, himself - two wrongs don't make a right. Beating women - beating anyone - is wrong. But so is sexual harassment that occurs at atheist conferences. A person who bothered to think would recognize that . . . but this is Richard Dawkins. He's an important rich white man! He's got TITLES! So women who aren't beating beaten by their husbands need to shut up.
He is also a racist. He said that Cambridge has produced more Nobel laureates than the whole of the Middle East. Should we be stunned that a prize created by a northerwestern European is mostly given out to other northwestern Europeans? But he has the bigotry of a Englishman, including the arrogant belief that they are really the best at everything.
So, he's a pig. There, I said it. Fuck that racist, sexist asshole.
Or anything else! So he should say, y'know, nothing exists, that it all is probably this and probably that - or we can live with the epistemological uncertainty and speak with conviction. God does not exist any more that teapots whirling around the sun exist.
Then, when I heard him on some show or another . . . I was overwhelmed by the sense of class. Here's a dude who is that upper crust British asshole - almost a parody. He's everything that Monty Python has ever made fun of. I just assume he has a stupid walk.
He is also a sexist asshole, to get to the thrust of this post. He tweeted, recently "Date rape is bad. Stranger rape at knifepoint is worse."
Is it? I'm not sure that getting raped by someone you know is better than being raped by a stranger, myself. And I also know that date rape often includes threats of violence. So, it was really just a stupid fucking thing to say, ignorant and nasty.
But here's the thing - why say it at all? What would prompt a guy to, out of the blue, say something like that?
In short, it's that comic upper class English-ness. He's an important rich white man. He speaks with the confidence of being master of the world. He knows his opinions are the opinions that count. So he can dismiss anyone he wants who isn't an important rich white man. Like, say, women.
(He also added, "If you think that's an endorsement of date rape, go away and learn how to think." Indeed, he is endorsing nothing, but he was definitely speaking out of turn - arrogantly, hurtfully and he was wrong, to boot. But that's something arrogant rich white men do, too - they can throw out any rationalization to make themselves feel good about the shitty thing they just did. No one has the status - and everything about Dawkins screams that he's obsessed with status, that he really, really likes being an important rich white man - to seriously gainsay him. He can dismiss them, as he did, and does. Learn to think! It is you who is clearly the problem!)
A couple years back, he told a woman who dared talk about sexism in the atheist conventions that because she wasn't being beaten up by her husband that she should shut up. He tells other people that they should think, but he often fails to do it, himself - two wrongs don't make a right. Beating women - beating anyone - is wrong. But so is sexual harassment that occurs at atheist conferences. A person who bothered to think would recognize that . . . but this is Richard Dawkins. He's an important rich white man! He's got TITLES! So women who aren't beating beaten by their husbands need to shut up.
He is also a racist. He said that Cambridge has produced more Nobel laureates than the whole of the Middle East. Should we be stunned that a prize created by a northerwestern European is mostly given out to other northwestern Europeans? But he has the bigotry of a Englishman, including the arrogant belief that they are really the best at everything.
So, he's a pig. There, I said it. Fuck that racist, sexist asshole.
Thursday, July 11, 2013
Bad news story of the day: MMA Underground's "Is the outrage over Cyborg really about aesthetics?"
In just bad news reporting, MMA Underground has an article that is titled "Is the outrage over Cyborg really about aesthetics?" It mentions how Cris Cyborg seems to be excortiated for steroid use in a way that many other male fighters aren't. He mentions how the most popular women's fighters - Gina Carano and now Ronda Rousey - are attractive as if it's relevant. It is not.
But . . . what makes the article horrible isn't that it wonders if Cris Cyborg is being discriminated due to comparisons with prettier fighters. What the article does is talk about how, y'know, when men are caught for steroid use it doesn't effect their popularity.
The question asked isn't if Cyborg is being discriminated against because she's not pretty but if she's being discriminated against because she's a woman. Not because she's a not a pretty woman, but more because she fails to satisfy the criteria that most men have for "womanhood".
The answer to that is, "Well, duh, yeah."
A deeper analysis would talk about how men like to define acceptable womanhood and Cyborg has always been a contentious fighter because she destroys male stereotypes about what a woman should look like and how a woman should be. The idea that a woman should be as physically powerful as a man, more than most men, with the kind of aggression in a fight that one associates with someone like Wanderlei Silva . . . well, that's disturbing to a lot of men. That she then totally fails to court any particular image of conventional womanhood is doubly troubling - which is why male fight fans embrace fighters like Rousey and Carano, because while they fight, they still "look like women". They don't challenge as many stereotypes about what a woman should "be", or, more precisely, what a man thinks a woman should be.
So when this unrepentant physical woman fighter, incredibly strong, not just for a woman but period, who has the kind of aggression we associate with the most terrifying fighters, who then goes on to reject most of the forms of womanhood - she doesn't try to go around pretty, she walks around pretty much exactly like any elite male athlete might go, lots of t-shirts and comfortable shoes, sexist men look for a reason to hate her. Her steriods bounce merely gave them that rationale. They can say she's bad for the sport, she's a cheat, so forth and so on, even when they're far less interested in condemning male fighters for the same misdeeds (much less the discussion about testosterone replacement therapy, where men can legally acquire anabolic steroids!).
The question isn't if Cris Cyborg is discriminated vis-a-vis other women. It's simply how much she's being discriminated due to sexist bullshit. (Right answer: a lot.)
So, bad article! Bad!
But . . . what makes the article horrible isn't that it wonders if Cris Cyborg is being discriminated due to comparisons with prettier fighters. What the article does is talk about how, y'know, when men are caught for steroid use it doesn't effect their popularity.
The question asked isn't if Cyborg is being discriminated against because she's not pretty but if she's being discriminated against because she's a woman. Not because she's a not a pretty woman, but more because she fails to satisfy the criteria that most men have for "womanhood".
The answer to that is, "Well, duh, yeah."
A deeper analysis would talk about how men like to define acceptable womanhood and Cyborg has always been a contentious fighter because she destroys male stereotypes about what a woman should look like and how a woman should be. The idea that a woman should be as physically powerful as a man, more than most men, with the kind of aggression in a fight that one associates with someone like Wanderlei Silva . . . well, that's disturbing to a lot of men. That she then totally fails to court any particular image of conventional womanhood is doubly troubling - which is why male fight fans embrace fighters like Rousey and Carano, because while they fight, they still "look like women". They don't challenge as many stereotypes about what a woman should "be", or, more precisely, what a man thinks a woman should be.
So when this unrepentant physical woman fighter, incredibly strong, not just for a woman but period, who has the kind of aggression we associate with the most terrifying fighters, who then goes on to reject most of the forms of womanhood - she doesn't try to go around pretty, she walks around pretty much exactly like any elite male athlete might go, lots of t-shirts and comfortable shoes, sexist men look for a reason to hate her. Her steriods bounce merely gave them that rationale. They can say she's bad for the sport, she's a cheat, so forth and so on, even when they're far less interested in condemning male fighters for the same misdeeds (much less the discussion about testosterone replacement therapy, where men can legally acquire anabolic steroids!).
The question isn't if Cris Cyborg is discriminated vis-a-vis other women. It's simply how much she's being discriminated due to sexist bullshit. (Right answer: a lot.)
So, bad article! Bad!
Wednesday, December 29, 2010
Joan Crawford vs. Charlize Theron
This article isn't specifically about the two actresses -- in art, there isn't a lot of versus, or at least I don't think there should be. This article is more about me and my reaction to actresses. In particular, I generally have greater regard for actresses before, say, the seventies than I do modern actresses in a way that I don't feel about modern actors. I don't hesitate to say that Russell Crowe is the equal, as an actor, as, say, Humphrey Bogart. I do, however, hesitate to say Charlize Theron is the equal to Joan Crawford. I realized the reason why, or at least part of the reason, while watching Crawford's The Damned Don't Cry -- the difference is Aeon Flux.
In particular, Joan Crawford never made Aeon Flux, whereas it one of the defining roles of Charlize Theron's career. There's a big generality here, too, and that's the important difference -- Joan Crawford never has the opportunity to be in Aeon Flux.
Looking at Theron's acting abilities, I don't think it's far to say she's an inferior actress to Crawford. And, certainly, not every movie Crawford did was a masterpiece . . . but in every movie Crawford was in, the quality of her acting mattered. Whereas, Charlize Theron and other actresses like her in this regard (notably Angelina Jolie) are in dismal action movies -- movies that no amount of acting skill can meaningfully improve. Theron's skill as an actress was simply irrelevant to the quality of Aeon Flux, much in the same way it's difficult to imagine Ed Norton being able to improve, say, Schwartzenegger's Last Action Hero.
Nowadays, marque actresses are capable of sabotaging their acting careers with awful movies -- but there is another difference, here, that we must acknowledge. Male actors can become stars through action movies. Female actors become stars because of their acting and then make terrible action movies. So what happens is . . . we see Girl, Interrupted and go, "Wow, Jolie can act" and then Jolie makes Tomb Raider and we wince. Whereas, with actors, we often see Mad Max and then, when watching The Year of Living Dangerously, we go, "Oh, maybe Mel Gibson can act."
But, for actor who has built their career on nuanced performances (a category that includes almost all actresses), an action movie is a sucker's bet. Most action movies make their stars look at least slightly and quite often very ridiculous and there's nothing that an actor's ability can do about it. Not only can you see it in Theron or Jolie's career, you can see it with Nick Cage's career. I admire the man's dedication to geekery and if you go back to the early days of his career (you know, everything before Leaving Las Vegas), he's a fine actor. He still is a fine actor -- he plays every ridiculous comic book action role he's been in with the same straight intensity that he brings to his more "serious" projects. It's just that with most of them, it doesn't matter. No amount of acting skill could save Ghost Rider. No amount of acting skill could save National Treasure. They're inherently absurd roles and they make him look inherently absurd. He's been in so many silly movies at this point, it's hard to remember Adaption or Leaving Las Vegas.
This is worse for women, because of sexism. To which I've fallen prey again. It's good that actresses are able to get the same sort of lousy action movies that have built men's careers for decades. But when comparing past actresses to current ones, I've allowed those bad movies to influence me past the point of reason because of the sexism inherent in living in a world dominated by men.
In particular, Joan Crawford never made Aeon Flux, whereas it one of the defining roles of Charlize Theron's career. There's a big generality here, too, and that's the important difference -- Joan Crawford never has the opportunity to be in Aeon Flux.
Looking at Theron's acting abilities, I don't think it's far to say she's an inferior actress to Crawford. And, certainly, not every movie Crawford did was a masterpiece . . . but in every movie Crawford was in, the quality of her acting mattered. Whereas, Charlize Theron and other actresses like her in this regard (notably Angelina Jolie) are in dismal action movies -- movies that no amount of acting skill can meaningfully improve. Theron's skill as an actress was simply irrelevant to the quality of Aeon Flux, much in the same way it's difficult to imagine Ed Norton being able to improve, say, Schwartzenegger's Last Action Hero.
Nowadays, marque actresses are capable of sabotaging their acting careers with awful movies -- but there is another difference, here, that we must acknowledge. Male actors can become stars through action movies. Female actors become stars because of their acting and then make terrible action movies. So what happens is . . . we see Girl, Interrupted and go, "Wow, Jolie can act" and then Jolie makes Tomb Raider and we wince. Whereas, with actors, we often see Mad Max and then, when watching The Year of Living Dangerously, we go, "Oh, maybe Mel Gibson can act."
But, for actor who has built their career on nuanced performances (a category that includes almost all actresses), an action movie is a sucker's bet. Most action movies make their stars look at least slightly and quite often very ridiculous and there's nothing that an actor's ability can do about it. Not only can you see it in Theron or Jolie's career, you can see it with Nick Cage's career. I admire the man's dedication to geekery and if you go back to the early days of his career (you know, everything before Leaving Las Vegas), he's a fine actor. He still is a fine actor -- he plays every ridiculous comic book action role he's been in with the same straight intensity that he brings to his more "serious" projects. It's just that with most of them, it doesn't matter. No amount of acting skill could save Ghost Rider. No amount of acting skill could save National Treasure. They're inherently absurd roles and they make him look inherently absurd. He's been in so many silly movies at this point, it's hard to remember Adaption or Leaving Las Vegas.
This is worse for women, because of sexism. To which I've fallen prey again. It's good that actresses are able to get the same sort of lousy action movies that have built men's careers for decades. But when comparing past actresses to current ones, I've allowed those bad movies to influence me past the point of reason because of the sexism inherent in living in a world dominated by men.
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